"Whatever it is that occupies your heart, the reason you are unable to let go of it is the incapability to forgive yourself. Until this day you are still ashamed, angry or simply blaming yourself for what happened in a specific moment back in the past. In order to forget this moment, we must first be able to forgive ourselves and the persons that were involved. What is it that you are unable to let go? What is it that has defined your life until now?"

— (via heaven4earth)

(via twentytwowords.com)

From On the Waterfront. I seriously have heard this speech over the last year of submitting my 1st book manuscript without ever even being a finalist in any of the 20+ contests I entered: “You don’t understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let’s face it. It was you, Charley.” That’s my manuscript talking. I’m Charley. lol

When I realize that I left one of my poetry notebooks in a public place

whatshouldwecallpoets:

yikes

(Source: whatshouldwecallme)

These are the reasons I turn to jazz and epic: the tenderness and meticulous care they take with language’s magic; the joy not simply of articulation but of an articulation made sublime. Of course, what both these forms have in common is timing, breath, rhythm: meter. For me, poetry remains an art of song. If I do my job well, you won’t notice that I’m singing to you, you won’t notice certain meters. Hell, if it’s really good, I won’t notice either.

-Robin Coste Lewis on VIDA’s Her Kind blog. 

When you realize someone already wrote something similar to the poem you are writing, and that their poem is way better

whatshouldwecallpoets:

fuck

dailydiggings:

by A. Van Jordan

From (→) prep. 1. Starting at (a particular place or time): As in, John was from Chicago, but he played guitar straight from the Delta; he wore a blue suit from Robert Hall’s; his hair smelled like coconut; his breath, like mint and bourbon; his hands felt like they…

Robin Coste Lewis

I suppose my ultimate journey has been—and still is—learning to live without any shame, whatsoever, for any belief, gesture, or desire inhabited within my body. Learning to say yes to embodiment full on. And more, learning to celebrate the marvel that is the body, learning to celebrate every part of it, most especially those expressions of which we are taught to be ashamed. So perhaps my ultimate journey is toward acceptance and jubilee. If you happen to be born in an exalted body, or a body that is held precious or real in any way, this may not sound like a big deal, but if you were born in a body that was positioned historically to be without sensation or personhood, then willing oneself into history is an arduous task.


This quote got me through my MFA

jameyhatley:

“”

There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open … No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

Martha Graham (via smbroom)

poetsorg:

Portrait of Claude McKay by Anna Robinson

poetsorg:

Portrait of Claude McKay by Anna Robinson

Kinda cool

I’ve been named in the WorldWideLearn.com list of 50 creative writing professors you should follow on Twitter

I lol’d at how they summed up my tweets.

dailydiggings:

makalani bandele (daily dig/ging/s) -from Hellfightin’

I’ve only read 4 of these. I’ve got some reading to do!

dailydiggings:

Like music, the novel has been one of the primary ways through which the African Diaspora has captured and transmitted its cultural, spiritual and political history. More than just stories of individuals, the works listed below capture the zeitgeist of the times chronicled, while elevating…

(Source: kalamu.posterous.com)

"I think people are often quite unaware of their inner selves, their other selves, their imaginative selves, the selves that aren’t on show in the world. It’s something you grow out of from childhood onwards, losing possession of yourself, really. I think literature is one of the best ways back into that. You are hypnotized as soon as you get into a book that particularly works for you, whether it’s fiction or a poem. You find that your defenses drop, and as soon as that happens, an imaginative reality can take over because you are no longer censoring your own perceptions, your own awareness of the world."

Paris Review - The Art of Fiction No. 150, Jeanette Winterson (leopoldgursky)

(via dailydiggings)